"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
制作什么的还不错，人性电影，面对内心缺失的巨大诱惑，不是失去理智，就是失去人性
好了，这下不营救了，因为全死了。动作不够爽，悬疑不够迷，结局更是莫名其妙。
一直揪着心看到最后，两个人发现了那么大一块金子，我就知道肯定会有想独吞的，一个人在沙漠里守着那么多天真的太绝望了，最后一箭不知道是谁射的
看来人的肌肉记忆要优于大脑记忆……盖·皮尔斯为啥越看越像娜奥米·沃茨？
有个好剧本，有个好题材，但是拍的太差了，这么老旧的拍摄手法，怕是90年代可以获得高口碑，但是现在真的不行了，算是后半部分强行拉回来了一点吧，但是真的砸的很可惜
劳模圣母大叔，迟暮蛇蝎美女，一帮二线明星，老套滥俗剧情，看过马上就忘。
比预期好很多，动作干净利落。剧情完整，但有点碎。挽救回的记忆，那个威胁电话，没有成为关键点。正义还要靠非正义来维护。男神女神都老了。
70岁的杀手还不能退休行业是多衰败了这是。最近老年片看太多，整个片子都觉得在虐待老人。
一个就要退休的杀手🥷的故事，结尾收的不爽……
虽然很有些逻辑上的破绽，但总算比简单的打打杀杀有一些深度。题材也是高了一点。
什么玩意，连姆大叔你是真的阿尔茨海默了吗被人忽悠拍这种片子？还有盖，你是居家隔离觉得没意思啥片都接吗？
墨迹的剧情，抑郁的氛围，我要看连姆打打杀杀，而不是墨迹
最后一箭是导演对人性最后的救赎了。男主很单纯善良，开端把食物让给黑人孩子，就提示了男主的性格。再就是太贪了，那一块金难道不够吗？先有命后才能有财，无数次生的机会就这么丧失了。
连姆大叔不再营救，拳脚还是干净利落，不过动作镜头是越来越少，还被乱枪打死真是有点晚景凄凉，是一部老演员的挽歌，蛮感触的。情节简单，保护青少年警察部有点突兀
发现飞机残骸以及女人出现的时候以为会有什么故事发生 但是并没有
影片还算不错，连姆-尼森这回不是单纯为了自己复仇，而是想用自己的方式杀掉一些逃脱法律惩罚的坏人。影片的卡司很强，只是莫妮卡-贝鲁奇老得不忍看了，盖-皮尔斯状态还不错，连姆-尼森的表现还是一如既往。
16-40美国《记忆》
视角和背景完全不同的掘金记。壮丽的大自然景象衬托下，人性之原罪让绝望、压抑反而越发沉重。
以后老连姆演杀手的片子可以直接pass了。
说实话若不是这类片子这十几年来太多太多还真的是不错的啦。诶😩要啥有啥，正义伸张！噢耶还行啦，这年纪真的辛苦的哇！⭐
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