Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
此类喜剧的弱点几乎都是:感情线薄弱。其实真的不用强行走心，男主跟他老婆，老板跟他爹……别什么都想抓，结果两盘散沙。
哎真的很好笑啊，妻子怀孕那个细节也真实，孕中期已经不用化妆品了。我东北的特别能感受到笑点，两个人都特开心。乐喷了乐喷了。
结构简单，故事简单。能感觉出来，导演绝对不是那种自以为是的家伙。一部一部来吧。就踏实的一点点弄。
很cliche但是很暖小男孩眼睛充满了希望
就是一个会唱歌、会独白的小男孩的明星梦实现的故事！
太可爱了吧吧吧！！！想着哥哥好帅一看是歌舞青春剧版男主 现实金手指少看电影就要看金手指！感人且爽！（虽然有一点小尴尬 bytheway 莉亚好酷！
镜头十分朴素…有一些笑点，比如馕哥哈哈，最后都干烧烤了，和老爷子合伙不就得了嘛
看得出对周星驰电影的致敬，本来吃饭想着看个无脑喜剧下饭，没想到比预想中的好很多，真的不尴尬～片中佳佳和妻子为家庭，为对方的付出，和什么是对老年人真的孝也让人有所思考。挺好的☺️
崔志佳毕竟科班出身，能看得出他的喜剧是有结构的不像那一大票东北草台班子纯靠卖丑。几处搞笑颇挠人脚心子。但是架构太单一和重复光是两家店你出一招我回一招这一套包袱弄了电影1/3时间，让人感到疲倦。加上为了戏剧冲突强行安插矛盾（有什么必要瞒着媳妇，老板辛辛苦苦得手结局又晃回去了，还心甘情愿的），说明崔志佳做惯了短片处理长剧的时候还拿捏的不够准。但是开了个好头，证明崔志佳是能拍出好的学院派喜剧作品的人，未来可期。
emmmmmm，感谢你没进电影院骗钱，送你一颗星
网络电影时代、电视喜剧节目井喷式增长时代，搞得现在全是网络梗造作品。烧烤之王也难以避免，但还是很看见崔很认真地想做好电影用的力，只是这力不行 也不知道打哪儿。如果这是一部烧烤店宣传片的话，那绝好，可是问题来了，烧烤这种美食，还需要别人宣传吗？
三星半，及格线上的网大，多半星给那一点烟火气
理解与爱真的很重要，夫复何求呢
开头八分钟爆笑两次，妈宝男好戳笑点。很合格的喜剧小品，春晚快来抄
这。。。颇有拉长版 (爱笑会议室) 小品你来我往的扯淡感
好于80%的电影，节奏好，不尬，崔志佳的导演水平远远大于他的演技。
及格，完整，适合吃饭时候不用思考的热热闹闹的电影，不想用什么正式的标准去评判，是我吃饭的时候盲挑的下饭片😋
okay…I really need something to do
像小品似的，笑了好几次就已经不错了，整体还算好看，结局稍显不完美
13岁小孩逐梦百老汇，中规中矩的励志片。但放在迪士尼的儿童/歌舞坐标系却是了不起的进步
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