Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
真人改编 母亲的施救与自我治愈释怀 娜奥米也。。这么老了么
"Never trust people, only your instincts."
惊悚，女主为啥这么勇敢，直面凶手，自己查案，这么相信出租车司机么……警察监控也太不认真了……没看出来是两个人么 而且那个男警察拼命追是干啥……莫名其妙……
翻拍西班牙2016年的的《我们是贵族》，父亲还不错
反派作品，却没比原版的好。。。情节感情线都没有原版的细腻
Netflix，挺轻松但认定的也太随意了吧and法医报告底本为什么不是当地文字！
起始于一个不可原谅的愚蠢错误，之后的一切都没有意义
比較簡單直白的一個懸疑故事，沒有太多層邏輯，但出於個人情懷喜歡女主。
致命Bug：两个人体型明明差那么多，海边监控那么清楚居然没有人能分辨出那不是坏警察而是渣男丈夫。塑造真实且可恶的男性形象倒上了点心。其他也没什么亮点，电视剧级别摄影。
不会只有我一个人把海报上的男人认成美队吧？
无脑的轻松愉快家庭电影，喜剧效果一般，更注重家庭问题。
女主因为家中煤气泄漏，失去了两个女儿，此后作为志愿者，在雪山上救助遭遇险情的登山者。一次她偶然拯救了一心赴死的约翰，但是约翰却在脱离险境之后不告而别。直到后来他们再次相遇，约翰敞开心扉，讲述了自己想要在山上结束生命的原因。敬畏生命，放下旧日伤痛，女主用自己的亲身经历，从生理和心理两个层次都拯救了约翰，虽然情节单调，但是也算是部不错的类型片。
真的好喜欢法式喜剧。最后彩蛋哈哈哈哈哈哈哈
呜呼，还不错的反转反转，要是支线再深入点就好了
这部电影总体来说都还好，就是时间太短了，不太够看。
细节不够严谨。其次当我看到男主求死跳崖被女主找到的时候他哭了，对不起我笑了，😄
可以给个七分的小故事
好久没看Queen B，对她有滤镜还是蛮喜欢。剧情不错，虽然我中间有猜到是不是丈夫…最渣的永远是男人
太差了。只能说音乐渲染比较到位，然而悬疑情节几乎没有。每一次女主拷问丈夫的时候，丈夫认错也太快了，身为一个srf，都不能坚持一下。全程没有一点点波澜，浪费时间[捂脸哭]
撑不起电影的重量，就电视剧集的程度是合格的
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