After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --© Official Site
最后跳楼那段 我想说兄弟 你不是在拍信条啊
紧张奇迹程度还算可以，可到头来黑人无缘无故成为替罪羊，确实没怎么看懂！
小黑是克星 ，害死了女友不说，车祸却卷入了 当地一场政治阴谋 ，接着被步步追杀 ，每次却又奇迹逃生 ，影片设计过于乖巧 ，有些弄巧成拙了 ！
男主兜兜转转还是回到了原定酒店前结束这一切的罪孽，本来避之唯恐不及的示威游行却被动成为了参与者，倒不是捍卫政见的自由，而是为了和不可逆转的命运抗争，强权不是轻而易举一天就能推翻的，虽然民权斗士难逃枪打出头鸟的命运，但悲剧不会在一天内上演两次，祸不及家人是政治斗争的最后底线。
这个开头一度让我以为会出现什么超自然现象，没料到最超自然的却是男主的“运气”和身手……宽泛来看，类型片，或者复古恐怖片（希区柯克？）下的政治讽刺做得还行。
动作惊悚双到位，异国无助感构建的很准确，节奏掌控也不错，小华盛顿稳的。
全片快进。。差点没睡着。智商被反复摩擦，导演，我与你无冤无仇
错误的人出现在错误的地方。选的主角倒是挺政治正确的。
维持一开始的调子倒也还行 进城后差了 华盛顿儿子也越来越糙
政治运动下的大逃杀 想用客观的角度展现真实世界下普通人陷入政治阴谋无助和求生欲 但无论是绑架案还是被追杀的真相在这个片子的整体基调下显得并没那么重要
悬疑氛围还是挺足的，中间山林逃亡很希区柯克的感觉。故事还是太过无聊且牵强。
我以为是个爱情片最后感觉看了个低配蝙蝠侠。
6.2的评分偏低了，整部影片非常自然，自然并流露出扣人心弦的紧迫感。而且没有此类影片的寻常套路，很难得。将此片当成动作片或英雄主义片看的可以劝退了。
没那么差了。只是这个政治阴谋到底是什么东东我一直云里雾里...难道是“不重要，没必要搞清楚”的花边么？
没什么，就是不好看。死命逃亡，最后还勇斗恶人。
冲着坂本龙一和厄运看的。男主就是悲催啊～动乱的国家也很悲催～暗无天日
看片的时候背了会儿单词 时间也不算太浪费 拖沓流水账 最后紧要关头 没容易来个认识的队友 不一起救人 咱潇洒的男主说了句wait 我也是迷醉
美国真的很喜欢个人英雄主义。。强行给反派降智太蠢了。那个女警察，要是你不犯傻，男主开片10分钟就能领盒饭
好好一题材拍成这样，不知道是不是该怪男主角太无聊。
没事别去外国瞎溜达，更不要去山路崎岖的地方。
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