A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.
Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.
This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.
One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.
- JohnHowardReid, imdb
违本性假正经 看着都累
《超能失控》以及《阿基拉》的段位
戏谑得很到位。
开头有点意思，后面就太顺理成章了……两位主角的家庭也没有什么冲突，就都很好，球队高层没什么脑子，倒也符合影片想讽刺的对象……反正就越看越平淡……
今年看过最有意思的电影，这狗电影笑死我了。
还挺好笑的法国喜剧电影。车祸失忆的演员以为自己是一个行侠仗义的英雄，各种巧合使得他不仅抓住了坏人，找回了爱情，还完成了电影拍摄。剧情不复杂，桥段蛮有意思。搞笑走的是恶俗路线，把漫威、DC那些超级英雄恶搞了一通，不仅没放过汤姆·克鲁斯，也没放过巴黎圣母院。最厉害的是电影里的吸尘器植入广告，可以成为其它电影学习的榜样。
好看！谁说的来着，还是要保持观看运动番，在理在理，我爱运动竞技片！
把篮球当作信仰的人们的故事！关键是下一场！最大敌人是你自己。这是我的篮球哲学！
恶搞了一下，《触不可及》
他们四个的电影都是那种不烂俗的沙雕喜剧
好看！谁说的来着，还是要保持观看运动番，在理在理，我爱运动竞技片！
影片质量也就3星，但是对我来说真的很有梗很好笑。
可太好笑了
不得不说电影里有很多夸张的场面，战衣上的投影技术是怎么做到的，Laure被撞来撞去都没事，直接安然无恙。
它则根本够不到
法国人拍喜剧还是行，不管黑自己还是黑别人都能黑到点上。
看似粗糙实则用心的影片很讨喜，拍戏与现实的巧妙融合，一切都是如此的自然恰当，喜剧效果出色，失忆后戏中身份与真实搞混，恶搞复仇者联盟，最后还有点睛之笔，途中遇到的女友也是失忆前就有的
m22112：笑中带泪。串联巴黎圣母院和阿汤哥，有趣。爱情浪漫！
哈哈哈哈好久没看到这么沙雕好笑的喜剧片了。恶搞的太细节，甚至连斯坦李都没放过
本片是蛮好笑的，我在某场所嘴一直是被逗裂开的，特别结局高潮那段哈哈，直接给我暂停埋头冷静了一下哈哈...本片大部分喜剧成分其实是涩涩方面的，虽说法国是浪漫之都，但搞h可特别钟爱，其中很多喜剧涩涩桥段又憨憨又蠢萌，同款操作换别国家拍可能真没这有趣的味道。以前我看过一部同样是法国喜剧电影《洗漱睡觉吧！宝贝》其中男主有一段模拟嘿咻的演绎震惊我一万年！不得不承认法国的涩是最调皮的性搞怪.....法乳自己，恶搞巴黎圣母院哈哈。女主好好看！原名也叫爱丽丝！我更爱！
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